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Volume 1 Issue 1
Introduction
Walt Kelly’s Pogo and the Politics of De/Re-racialization in Midcentury Comics
Kerry Soper
A Contract with God, The First Kingdom, and the ‘Graphic Novel’: The Will Eisner / Jack Katz Letters
Andrew J. Kunka
The Political is Personal: Dual Domesticity in Dykes to Watch Out For
Susan Kirtley
Roundtable: Comics and Methodology
Blair Davis, Bart Beaty, Scott Bukatman, Henry Jenkins, Benjamin Woo
From the Archives
Before the Underground: Jay Lynch, Art Spiegelman, Skip Williamson and the Fanzine Culture of the Early 1960s
From the Field
Comics Professionals on Comics Studies
Book Reviews
The New Mutants: Superheroes and the Radical Imagination of American Comics. By Ramzi Fawaz.
Reviewed by Marc Singer
Michael Tisserand, Krazy: George Herriman, A Life in Black and White. Reviewed by Christopher Jeansonne -
Volume 1 Issue 2
Gilded Age Cartoons: Artistic Antecedents and Descendants
Julia diLiberti
After you, my dear fake Frenchmen: Frederick Burr Opper’s Alphonse and Gaston—and Leon!
Mark McKinney
“The Man Called Lucas”: Luke Cage, Mass Incarceration, and the Stigma of Black Criminality
Tracy L. Bealer
“No time to rest, vent or mourn”: Medical Intern Narratives and Graphic Medicine
Sathyaraj Venkatesan & Anu Mary Peter
Teaching Hypercomics: Comics as Information Organization in Digital Pegagogy
Damian Duffy
On Comicity
Colin Beineke
Book Reviews
The Greatest Comic Book of All Time: Symbolic Capital and the Field of American Comic Books. By Bart Beaty and Benjamin Woo.
Reviewed by Ben Saunders
Arresting Development: Comics at the Boundaries of Literature. By Christopher Pizzino.
Reviewed by Louie Dean Valencia-García
Disaster Drawn: Visual Witness, Comics, and Documentary Form. By Hillary L. Chute.
Reviewed by Robyn Warhol.
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